Movie Reviews

Below are capsule reviews of two films from the Snapshot category at the 2025 Chicago International Film Festival. The Snapshot category aims to showcase diversity in contemporary cinema.   The first film I want to look at is Spilt Milk, a stirring family drama set in 1980s Ireland. The film follows Bobby O’Brien (Cillian Sullivan), an 11-year-old boy obsessed with TV detective Kojak. Bobby is always trying to solve small cases for his schoolmates when…

  The Voice of Hind Rajab undoubtedly tells an important story and is one that everyone should know about, especially those who do not know about what is and was going on in Gaza. However, how the story is told is very underwhelming, making this harrowing film far less interesting and affecting. The Voice of Hind Rajab is based on a true incident that happened in Palestine. It takes place inside a Red Crescent building…

  Wagner Moura gives one of the best performances of 2025 in The Secret Agent, Kleber Mendonca Filho’s slow-burning and captivating Brazilian thriller. Set in 1977 Brazil during the Carnivale celebration, The Secret Agent finds Moura playing Marcelo, a technology expert who secretly returns to his hometown to reunite with his son, with plans to escape the country as a corrupt government system is hot on his tail. Why is the government after Marcelo? That…

Paul Thomas Anderson’s One Battle After Another is an example of a master filmmaker in complete control of his technique and the story he wants to tell. Adapted from Thomas Pynchon’s novel Vineland, One Battle After Another is a timely and passionate film that looks at the state of the world while also being action-packed and thrilling, with a deeply felt emotional core and a perfect ensemble. One Battle After Another hits the ground running…

  Throughout director Darren Aronofsky’s career, he’s established himself as a director who handles heavy subjects with a visceral vision. Movies like Requiem for a Dream, Black Swan, mother!, and The Whale deal with hard subjects like addiction and loneliness, and Aronofsky has never held back from the harshness of these subjects. His movies, to this point, have been well-made, but intense and at times shocking. Aronofsky’s newest film, Caught Stealing, is far and away…

  2021’s Nobody was one of the biggest surprises of that year. In a post-pandemic cinematic experience, seeing funny-man Bob Odenkirk turn into John Wick for 90 minutes was more fun and entertaining than I ever expected. Nobody 2 fails to conjure up the same spark that the first film did. It does feature bone-cracking action and a slew of dead bodies, but the magic of seeing Odenkirk become a super assassin has vanished, despite…

  Reviewing a remake is always tough. As much as we try to watch the film for what is present on the screen, it’s hard not to think about the original source material, similar to watching a movie based on a book you’ve read. We expect how the plot will unfold, we already know the basis of the characters, and we are aware of any twists that may take place. Spike Lee’s Highest 2 Lowest,…

  We’ve all heard the saying, “two is plenty, three’s a crowd,” at some point in our lives. While it’s self-explanatory, the saying means that two people can enjoy each other’s company comfortably, but adding a third person can create awkwardness or tension. Watching Tim Story’s The Pickup, that old proverb kept running through my head. The film stars Eddie Murphy and Pete Davidson as two armored truck drivers whose truck is the target of…

  Weapons has an incredible hook: one night, at 2:17 am, 17 kids from the same class woke up, ran out of their houses, and seemingly disappeared into the night. Nobody knows where they went, nobody knows why they ran out of the house, and nobody can find them. It’s hard not to be hooked by such a simple yet chilling premise for a film. But with that comes the pressure of executing a story…