Movie Review: Broker

Movie Review: Broker

What makes a family? Do we choose our families, or do they choose us? These questions, along with several others, loom large in Broker, the latest from Japanese master Hirokazu Kore-eda. On a stormy night, So-young (Ji-eun Lee) walks to a church to leave her baby in a box designated for abandoned babies. When the church gets an alert that a baby has been placed in the box, two men, Sang-hyeon (Song Kang-ho) and Dong-soo…

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Movie Review: The Fabelmans

Movie Review: The Fabelmans

You would think that after having made some of the most iconic and successful films of all time over the last fifty years, it would be a tough task to continue to impress the audience and try something new. That would be the case for most directors, but not Steven Spielberg, who is continuously pushing himself as a director. In 2021, he dove into the musical genre with his bright and lively vision of West…

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Movie Review: Avatar: The Way of Water

Movie Review: Avatar: The Way of Water

  It has been thirteen years since the last time we visited the world of Pandora, but James Cameron takes us back in Avatar: The Way of Water, the long-awaited sequel that was well worth the wait. Don’t remember what happened in the first Avatar? That’s fine. Cameron starts the film off with a juxtaposition-heavy introduction highlighting what happened in the first film and what our characters are up to. Following their victory against the…

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Movie Review: Empire of Light

Movie Review: Empire of Light

  Every year around this time, we tend to get movies that feel geared toward the Oscars and awards season. Prestige pictures featuring award-winning directors, actors, writers, and crew members telling a story that feels dramatic or important all for the sake of winning awards. While some of these movies see success at the Oscars, many have failed, whether it be a lack of or zero nominations, a failed box office, a low critical reception,…

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Movie Review: TÁR

Movie Review: TÁR

  Todd Field’s TÁR, the director’s first film since 2006’s Little Children, begins unlike any movie I have seen in 2022 and maybe ever. The credits roll, but they feel like the closing credits. Set to a backdrop with no music, we see the credits of everyone who worked on the film, from the stars to the craft services team. It almost felt like the film was playing backward or someone in the projection booth…

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