Review: Dunk or Die

Review: Dunk or Die

  Dunk or Die is an electrifying documentary about a man who dreamed of flying. Not literally flying, but flying on the hardwood floor of the basketball court to throw down creative and powerful dunks. From tough beginnings to international fame, director Nicolas de Virieu shows an inspiring profile of an impressive and motivated athlete that most people may never have heard of. That athlete is Kadour Ziani, an Algerian man who grew up in…

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Review: Marry Me

Review: Marry Me

  The cinematic romantic comedy is rare nowadays. The once-popular genre that brought us classics like When Harry Met Sally… and My Best Friend’s Wedding has now shifted from the big screen to the small screen by way of streaming services. Films like Always Be My Maybe, Set It Up, and the To All the Boys I’ve Loved Before trilogy have found great success on streaming services, thus making the theatrical romantic comedy nearly obsolete….

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Sundance Film Festival 2022: Watcher, 892, Call Jane

Sundance Film Festival 2022: Watcher, 892, Call Jane

My reviews of Watcher, 892, and Call Jane, all of which premiered at the 2022 Sundance Film Festival.     WATCHER Watcher is a tense, well-made thriller reminiscent of Hitchcock. The film follows Julia (Maika Monroe) a woman who has just moved to Romania with her husband Francis (Karl Glusman) for his job. Busy with work all day, Julia is left alone in her large, creaky apartment in a place she knows nothing about. She does some exploring…

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Review: Jackass Forever

Review: Jackass Forever

    The gang behind MTV’s hit show Jackass saw their star power rise rapidly in the early 2000s. The stunt-prank-comedy show lasted three seasons and gave us hilarious and iconic skits like “Party Boy” and “The Cup Test”, and made Johnny Knoxville, Steve-O, Wee Man, and other members of the crew household names. Following the show’s end, they got their own movie with Jackass: The Movie, which basically played like an hour-and-a-half-long episode with…

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Review: Moonfall

Review: Moonfall

  Moonfall is a big, dumb, insanely silly, big-budget sci-fi movie we haven’t seen in a long time. Reminiscent of end-of-the-world blockbusters from the 1990s, director Roland Emmerich has given us an explosive movie that would fit right next to the likes Armageddon or Deep Impact, yet one that also feels weirdly refreshing in today’s cinematic landscape. Moonfall has a very simple premise: what if the moon fell towards Earth? How may you ask this…

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Sundance 2022: Brian and Charles

Sundance 2022: Brian and Charles

    Jim Archer’s Brian and Charles was the biggest surprise for me at the 2022 Sundance Film Festival. Originally not on my main list of movies to watch during the festival, I was lucky enough to get a ticket for the film and I could not be happier with my decision. This is a lovely, sweet, hilarious comedy about a man and his robot. Brian (David Earl) lives alone in a small Welsh village,…

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Best of the 2022 Sundance Film Festival

Best of the 2022 Sundance Film Festival

The 2022 Sundance Film Festival has officially come to an end. I saw 30 movies at this year’s festival, one less than last year. Overall, this year’s festival was really good. There were a number of movies that I really liked and only two or three that I truly did not like, mostly because they were boring. However, missing from this year’s festival was a movie that was a truly great film. In previous years,…

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Sundance 2022: Dos Estaciones

Sundance 2022: Dos Estaciones

    I’ve been attending the Sundance Film Festival for over ten years now and one of the reasons that keep me coming back to this film festival is watching the movies of emerging filmmakers and new filmmakers. I love seeing filmmakers who have been on my radar come into their own in terms of style and voice and I love seeing a new vision from a director who had never made a feature film…

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Sundance 2022: Emily the Criminal

Sundance 2022: Emily the Criminal

    Aubrey Plaza gives the best performances of her career in Emily the Criminal, a slick, tough L.A. crime movie with shades of a Michael Mann movie. Plaza plays Emily, a woman living in Los Angeles strapped with a mountain of student debt. Unable to break into the job market because of her slight criminal record, Emily tries to make money working for a catering company where she is miserable. In a feat of…

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Sundance 2022: Living

Sundance 2022: Living

    Akira Kurosawa’s effect on cinema is impossible to measure. Somebody could say that he was the greatest director to ever get behind the camera and it would be hard to argue with them. From his filmmaking technique to his influence on numerous genres, to the countless remakes of his films, Kurosawa’s influence looms strong even in today’s cinema and doesn’t look like it is going to stop anytime soon. The latest Kurosawa influence…

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